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Japan country profile

Japan has the world's third-largest economy, having achieved remarkable growth in the second half of the 20th Century after the devastation of World War II.

But this and other traditions are under pressure as a young generation more in tune with Western culture and ideas grows up.

On the other hand, one of the biggest challenges that successive Japanese governments have faced is how to meet the huge social security costs engendered by an ageing society.

Japan's relations with its neighbours are still heavily influenced by the legacy of Japanese actions before and during World War II. Japan has found it difficult to accept and atone for its treatment of the citizens of countries it occupied.

A Japanese court caused outrage by overturning a compensation order for Korean women forced to work as sex slaves.

South Korea and China have also protested that Japanese school history books gloss over atrocities committed by the Japanese military. Japan has said China promotes an anti-Japanese view of history.

Following World War II, lawmakers forged a pacifist constitution. This seemed inviolable for more than half a century, but since the beginning of the twenty-first century it has been subjected to some reinterpretation.

In the last decade, some Japanese politicians have called for the constitution to be revised so as to enable the country to play a more active role on the world stage, and in particular to allow its military to take part in peacekeeping missions abroad.

Twenty percent of the world's earthquakes take place in Japan, which sits on the boundaries of at least three tectonic plates. Schools and office workers regularly take part in earthquake drills, and waiting for "the big one" is deeply engrained in the national psyche.

© 2011 BBC News (www.bbc.co.uk)

Philip Jeyaretnam says that being the boss at Singapore’s oldest law firm is limiting his literary ambitions. The 47-year-old lawyer—whose late father was a leading opposition politician in Singapore—took over as managing partner at Rodyk & Davidson LLP in January.

[MIAjayaretnam]

Rodyk & Davidson LLP

Philip Jeyaretnam

Résumé

  • Qualifications: Studied law at Cambridge University, graduating in 1986; admitted to the Singapore Bar in 1988.
  • Career: Began as a lawyer with Robert W. H. Wang & Woo in 1988; joined Helen Yeo & Partners in 1992, which was later absorbed by Rodyk & Davidson in 2002.
  • Extracurricular: “I read, I go to see plays, I watch films. It’s fairly sedentary but it gives me something different than reading a legal book.”

He says the demands of running the firm—which celebrates its 150th anniversary this year—have impeded his other career as a fiction writer. “My next novel will have to wait until I’m done with being managing partner,” says Mr. Jeyaretnam, who has already published two novels, both set in his native Singapore, and several collections of short stories.

Mr. Jeyaretnam says he wants to grow Rodyk’s business beyond the city-state. Currently, the firm’s only office outside Singapore is in Shanghai, though Rodyk claims specific expertise in Indonesia and India. It currently has 170 lawyers in its Singapore office, a number it hopes to increase to 200 by 2013.

But building a stronger regional presence is a challenge—there’s tough local and international competition across Asia, while regulations in many Asian countries can restrict access for foreign legal firms. Mr. Jeyaretnam recently spoke with The Wall Street Journal’s Jason Chow about the legal landscape in Asia. The following interview has been edited.

WSJ: How does your writing affect your legal career, and vice versa? Mr. Jeyaretnam: They both feed off my interest in stories. As a lawyer, it really isn’t just about the arguments. It’s about what the real story is and how I get it across to a judge. It’s similar to being a writer: You have to be interested in what’s happening in people’s lives and a desire to structure it into a story.

WSJ: What are the main challenges for a local Asian law firm like Rodyk & Davidson trying to expand regionally?

Mr. Jeyaretnam: First, the jurisdictions across Asia, for the most part, remain protected legal silos. But, secondly, the level of cross-border and international transactions, is increasing. Thirdly, Asia still remains culturally diverse and fairly traditional, so having an understanding of the specific culture of a particular place remains important.

WSJ: How has the legal profession in Asia changed in your 23 years as a lawyer?

Mr. Jeyaretnam: From the early 1990s, China leapfrogged other Asian jurisdictions by being open in allowing foreign law firms to practice their own foreign law in China. That transformed the landscape. If you asked people in the 1980s about the Chinese legal profession, it didn’t even exist at that point in time. The second thing has been the growth of international transactions. There’s greater activity by financial institutions and funds in projects outside of their own countries. There’s this convergence of standards and structures around the world. Also, there’s been an increase in using arbitration as a dispute-resolution method. This has attracted English and American law firms. If you looked at the Asian landscape in the mid-1980s, you wouldn’t see such a strong presence among international law firms. What we haven’t seen is a really strong Asian multi-jurisdictional law firm. The big question is whether those Asian law firms who practice in the cross-border space, like Rodyk, can overcome the regulatory silos and actually achieve real scale as regional firms.

WSJ: What’s the best way to understand the application of the law in different countries in Asia?

Mr. Jeyaretnam: You can’t assume things operate the same as they do at home. You look for sources of information and understanding to reduce the risk of being blind-sided by ignorance of how a place works beyond the laws that are on paper. If you only talk to lawyers in a particular place, you’ll get a certain restricted view of things. If you talk to a lawyer in Vietnam or Indonesia, you’ll be quoted what’s in the statute books. But apart from being a lawyer, I’m a writer and I have contacts with other writers and artists. Sometimes, to understand a country like Indonesia, for example, it’s just as valuable to talk to an Indonesian journalist as it is to an Indonesian lawyer. It’s important to keep your sources open.

WSJ: How do you help international clients understand the uneven approach to application of business law in some Asian countries?

Mr. Jeyaretnam: There aren’t any easy answers. We’ve reached the stage for some aspiring economies in Asia where this issue is probably a key barrier to future investment and prosperity. Essentially, it’s a big tax on doing business and it’s holding countries back. I can’t promise a magic wand. You hope for the local knowledge that will get you through, but you appreciate that the other side has accumulated knowledge too. This is particularly an issue in Indonesia and India. If you enter into a contract and something goes wrong, you’ll find yourself getting an arbitration award but struggling [to get it enforced because of] derailing applications in the courts. The opportunities for businesses outweigh [the uneven legal systems], but just imagine how much better the economy can do if you solve this sort of problem so that people doing business don’t have to worry so much when they risk their money.

WSJ: What are the challenges to Rodyk’s regional ambitions?

Mr. Jeyaretnam: One, international law firms can strengthen their positions so that the firms that come from smaller jurisdictions, like our own, will be squeezed from above. Secondly, we have some very powerful economies in Asia—China, Indonesia, India—and the latter two remain jurisdictional silos. They don’t allow foreign law firms to directly practice in those countries. [Local firms] are building on the increased economic activity in their own jurisdictions and we could get squeezed by those firms too.

© 2011 Wall Street Journal (www.wsj.com)

Dubai: The UAE will stage its biggest tournament ever next month. Two weeks after the conclusion of the Pakistan-England series, this country will stage the International Cricket Council (ICC) World Twenty20 qualifiers. All the cricket stadiums in the UAE will be abuzz with action.

Speaking to Gulf News, Mazhar Khan, chief administrator of the Emirates Cricket Board (ECB), said: "Never before has the ECB staged such a huge tournament. Sixteen nations will be here by the start of the month. They will play 72 matches from March 13 to 24. The Abu Dhabi Zayed Cricket Stadium, Dubai International Cricket Stadium, International Cricket Council Global Cricket Academy Oval ground and the Sharjah Cricket Stadium will be the venues for the matches."

The nations participating in the qualifiers are Afghanistan, Bermuda, Canada, Hong Kong, Ireland, Denmark, Italy, Kenya, Namibia, Nepal, Netherlands, Oman, Papua New Guinea, Scotland, Uganda and the United States of America. Even the Al Dhaid Cricket Village will be used during the event.

Exposure for local clubs

Article continues below

© 2011 Gulf News (www.gulfnews.com)

White Stag Block, Portland, Ore. — In one of America’s greenest cities, three long-vacant historic commercial buildings have been brought back to life in a textbook example of sustainable development.

Cameroon country profile

The modern state of Cameroon was created in 1961 by the unification of two former colonies, one British and one French.

Since then it has struggled from one-party rule to a multi-party system in which the freedom of expression is severely limited.

Cameroon began its independence with a bloody insurrection which was suppressed only with the help of French forces.

There followed 20 years of repressive government under President Ahmadou Ahidjo. Nonetheless, Cameroon saw investment in agriculture, education, health care and transport.

In 1982 Mr Ahidjo was succeeded by his prime minister, Paul Biya. Faced with popular discontent, Mr Biya allowed multi-party presidential elections in 1992, which he won. He went on to win further presidential elections in 1997, 2004 and – after a clause in the constitution limiting the number of presidential terms was removed – 2011.

In 1994 and 1996 Cameroon and Nigeria fought over the disputed, oil-rich Bakassi peninsula. Nigeria withdrew its troops from the area in 2006 in line with an international court ruling which awarded sovereignty to Cameroon.

In November 2007 the Nigerian senate passed a motion declaring as illegal the Nigeria-Cameroon agreement for the Bakassi Peninsula to be handed over to Cameroon.

Internally, there are tensions over the two mainly English-speaking southern provinces. A secessionist movement, the Southern Cameroon National Council (SCNC), emerged in the 1990s and has been declared as illegal.

Cameroon has one of the highest literacy rates in Africa. However, the country's progress is hampered by a level of corruption that is among the highest in the world.

In 1986 Cameroon made the world headlines when poisonous gases escaped from Lake Nyos, killing nearly 2,000 people.

© 2011 BBC News (www.bbc.co.uk)

CARACAS (Dow Jones)–La economía venezolana creció un 4,9% en el cuarto trimestre frente al mismo período del año anterior, informó el jueves el banco central.

Las últimas cifras se traducen en que el producto interno bruto del país se expandió un 4,2% en 2011, un vuelco tras dos años de contracciones.

La actividad no ligada al petróleo se expandió un 5,1%, mientras que el sector petrolero del país creció un 1,8%, una mejora frente a la expansión del 0,3% registrado en el tercer trimestre.

De acuerdo con los datos del banco central, el sector de construcción contribuyó al crecimiento, con un alza del 12,8%. El sólido flujo de importaciones también jugó un papel importante, agregó la entidad.

© 2011 Wall Street Journal (www.wsj.com)

The Kids Are All Right

[THARP]

Charlie McCullers, Courtesy of Atlanta Ballet

Curdie (Jacob Bush) with Princess Irene (Alessa Rogers) in a scene from ‘Twyla Tharp’s “The Princess & the Goblin.

Atlanta

The bottom of the cast list in the house program for Atlanta Ballet’s world-premiere run of “Twyla Tharp’s ‘The Princess and the Goblin’” identified “Eleven Stolen Children.” By the time the curtain rang down on this intermission-free, 75-minute production at the Cobb Energy Performing Arts Center, it was quite clear that these young performers, students at the Atlanta Ballet Centre for Dance Education ranging in age from 8 to 15, had stolen the show. Their triumph was no mean feat, for while the story Ms. Tharp created in dance was not always easy to follow in narrative detail, it remained intriguing and moving.

Twyla Tharp’s

The Princess & the Goblin

Atlanta Ballet

Through Feb. 19

Ms. Tharp, now 70 and a grandmother, has long been known for her iconoclastic works, which date back to 1965 and range from stark cerebral dances to grander ballet spectacles. Hers is hardly a name associated with ballets made with children in mind. Indeed the themes and elements of this narrative dance are unusual for Ms. Tharp. Her ballet is based on George MacDonald’s beautifully told 1872 tale about Irene, a steadfast princess who encounters the ghost of her loving great-great-grandmother (also named Irene) and, accompanied by her rustic friend Curdie, gets entangled with a population of fearsome goblins.

Ms. Tharp’s reduction and reworking of MacDonald’s story simplifies its twists, turns and adventures. Other than a succinct, scene-by-scene breakdown, Ms. Tharp’s program synopsis is but three sentences long. Richard Burke’s original music and his arrangements of Franz Schubert give this “Princess” a score carefully keyed to the action’s 12 scenes, plus prologue. It is a reliable, if not often an inspired, motor for the frequently eye-catching choreography.

Caleb Levengood’s scenic elements are spare but often evocative. Black, stepped platforms establish the story’s hilly terrain; various expanses of gossamer white fabric give the scenes a changeable sense of place and atmosphere. Dangling streamers suggest rain or foliage; similarly hung lengths of thick rope establish stalactites associated with underground caverns. Anne Armit’s costumes are also on the plain side, but less distinctive than Mr. Levengood’s work. The goblins of the title sport casual, ragtag outfits. King Papa and King of the Goblin, performed by the same dancer (rangy John Welker), are costumed similarly in gold-trimmed black jumpsuits and are missing the crowns one would expect as a sign of their stations. The upperworld Irene and otherworldly Great-Great-Grandmother Irene, and their attendant characters, wear natural-waisted dresses. Ms. Amit’s fussy, red cloaks for the capstone scene featuring mirror images of the two Irenes spinning in harmony distract from the moment’s two-as-one image.

More happily, the “stolen children”—a narrative element Ms. Tharp devised to give her take on MacDonald’s tale further dance opportunities—are outfitted winningly in togs that might be off the rack of a local boutique. All of this adds to the endless charm of their scampering and marching and delicately calibrated choreography, which threads the young dancers through the production as lively captives and, eventually, as members of the narrative’s intricate and marvelously arranged climax.

Feet and footwear figure in both MacDonald’s story and Ms. Tharp’s dance. Young Irene is the ballet’s central force, and Atlanta Ballet dancer Alessa Rogers’s impressively long, arched and pliant feet make the 24-year-old’s presence in the role extra vivid. The pointe shoes she acquires as a result of her contact with Great-Great-Grandmother Irene (a somewhat one-note Christine Winkler) lead her to rescue the kidnapped youngsters from the barefoot goblins. Finally, Irene returns everyone home, where she leads the rescued children and formerly fatuous adults into a realm of formally patterned harmony and soaring spirits. While Don Holder’s sensitive lighting enriches the stage pictures, it’s too bad it couldn’t somehow pinpoint and highlight the foot focus of Ms. Tharp’s dramatic action.

And then, again, there are the smaller feet of the boys and girls, mostly shod in knockabout sneakers. As Atlanta audiences noticed, 8-year-old Hanae Dillon’s little feet are memorable far beyond their size. The tiniest of the kidnapped children, Ms. Dillon became one of the ballet’s most memorable characters. With her mix-and-match patterned skirt, top and tights and her hair in two tufts, the pint-size girl projected art and life to the far reaches of the theater. All the while, she played her part and kept herself artfully in line for Ms. Tharp’s remarkably rigorous and yet free-seeming presentation of dancing children.

Elsewhere, 7-year-old Stella McFall, daughter of Atlanta Ballet’s artistic director, John McFall, made much of her role as one of Irene’s abducted sisters, also named Stella. Sophie Basarrate, 14, and Kevin Silverstein, 15, stood out to lead the rescued children with their finely presented, scrupulous dancing as two of the now-peaceful kingdom’s most upstanding individuals.

“Princess” was co-commissioned by Atlanta Ballet and the Royal Winnipeg Ballet, where the work will next appear in October. Speaking recently to the Winnipeg Free Press, RWB artistic director André Lewis noted that Ms. Tharp will spend six weeks with the dancers ahead of the Canadian premiere. During that time, he suggested, the ballet will likely be revised. But if she can find student dancers as impressive as these Atlantans, my hunch is that Ms. Tharp won’t change a step of the children’s material.

Mr. Greskovic writes about dance for the Journal.

© 2011 Wall Street Journal (www.wsj.com)

LONDRES (EFE Dow Jones)–La deuda estatal portuguesa continuaba el lunes con su impresionante evolución de los últimos tiempos y la rentabilidad del bono a 10 años caía hasta volver a los niveles de noviembre.

Los bonos estatales de otros países periféricos también se beneficiaban del tono positivo, con la rentabilidad de los italianos bajando ocho puntos básicos y la de los españoles reduciéndose en torno a cuatro puntos básicos.

La rentabilidad del bono luso a 10 años, el de referencia, bajaba en 20 puntos básicos al 11,78%, según datos de Tradeweb, sustancialmente por debajo del reciente máximo del 17,40% registrado a finales de enero debido al pánico. La rentabilidad del bono italiano a 10 años caía ocho puntos básicos al 5,49% y la del bono español a 10 años se dejaba cuatro puntos básicos al 5,22%.

La reciente mejora de los bonos estatales portugueses se ha visto alimentada por el creciente optimismo a que la crisis de deuda helena pueda solucionarse sin que el país tenga que abandonar la eurozona. El fin de semana, el Parlamento griego aprobó un paquete de recortes del gasto y los salarios, una condición que le había sido impuesta a cambio de un segundo paquete de rescate de 130.000 millones de euros.

Los bunds, considerados valores refugio, perdían parte de su atractivo y cedían algunas de sus ganancias del viernes. El contrato del bund a marzo cae 0,54 a 137,69.

© 2011 Wall Street Journal (www.wsj.com)
[Clover2]

Massachusetts Historical Society

Charles Francis Adams and Abigail Brooks Adams in a photograph taken by their daughter-in-law. An exhibition of Clover Adams’s photographs will run through June 2 at the Massachusetts Historical Society in Boston.

If a Henry James sort of American innocent could plunge straight into the letters of Clover Adams (1843-85), the swim would be fast and bracing. The letters collected in “First of Hearts,” written to amuse her widowed father in Boston after she and her husband moved to Washington, are a portrait of a lady who was an aesthete, a passionate reader, a foodie, a lover of dogs and horses, and a wicked sharp observer of American politics as then practiced in the early 1880s.

The public figures who took tea at Clover’s hearth spilled stories of hypocrisy, duplicity, turpitude and plain ineptitude, all of which she enjoyed repeating to her staid old papa. When Sen. Thomas F. Bayard told her that a bungled “peacemaking” effort by the State Department, after a war between Chile and Peru, had actually been a maneuver on behalf of speculators in Peruvian guano, Clover told Beacon Street that “there seems to be a certain moral malaria here in official life which few escape. Bayard not only calls a spade a spade but dirt dirt. That L.P. Morton [the U.S. minister to France] should have proposed to risk a war on the chance of stuffing the pockets of his gabardine with guano, is revolting.”

Revolting, yes, but delicious, too. “This is the last about Roscoe,” Clover wrote one Sunday morning. Roscoe was Sen. Roscoe Conkling, an incorrigible womanizer who had allegedly escaped death by jumping out a window and hightailing it across the lawn ahead of a cuckolded husband armed with his Civil War rifle. The new joke was that, when someone asked why Conkling was on the Committee on Foreign Relations, some wag said: “Because he is so unfitted for domestic.”

Clover Adams: A Gilded and Heartbreaking Life

By Natalie Dykstra

Houghton Mifflin Harcourt, 318 pages, $26

Clover could not abide boors or bores but was refreshingly indifferent to the rich and powerful. Born at the top as Marian Hooper, the third and youngest child of two Boston Brahmins, she had no need to climb. Nor did her husband, the historian Henry Adams. Both of them could claim Puritan ancestors, and their families had prospered. Henry’s pedigree included two presidents. With no official duties in Washington, they were free to refuse invitations, withhold invitations and surround themselves with amusing, curious, opinionated sophisticates. They went themselves one better by drawing an even smaller circle within their small world, which they called the Five of Hearts: Henry and Clover; a future secretary of state named John Hay; Hay’s wife, Clara; and the first director of the U.S. Geological Survey, Clarence King.

All but one of the letters in “First of Hearts” were written between 1880 and 1883. Although they are only a small slice of a life, they show many of Clover’s abiding preoccupations: flowers, fashion, fine art and fine furnishings. When their possessions arrived from Boston, Clover joked that the boxcar had been so full “that a mosquito who tried to go as a stowaway got his ribs broken.” She was especially proud of their small collection of paintings, which included several Turners, four paintings by Richard Parkes Bonington and a pair of portraits by Sir Joshua Reynolds. Clover’s love of art led her to take up photography, the first serious pursuit she could call her own. She photographed Henry, their friends and relatives, their dogs and nature.

First of Hearts: Selected Letters of Mrs. Henry Adams

Edited by Ward Thoron

Willowbank Books, 211 pages, $24.59

The reader of these two books will be struck by the gulf between the autobiographical Clover on view in “First of Hearts” and the biographical Clover painted full-length by Natalie Dykstra in “Clover Adams.” The autobiographer comes across as a fortunate woman striving to live much as she thought a person should—”to one’s fingers’ ends.” But the biographer must reckon with the whole life, in this case with a life that ended in suicide. And suicide casts a shadow over all that comes before. Every chance remark, every complaint, every bump in a relationship (not to mention the relationship itself) is called into question.

Three charges have been filed against Henry Adams. His private letters contain occasional insults to the intelligence of women, including his wife. He was also infatuated with Lizzie Cameron, a young and pretty Washington neighbor married to an elderly lout. Henry remained faithful to Clover, but several biographers have hypothesized that his flirtation left Clover feeling “unmoored” (Ms. Dykstra’s word) in her marriage. Finally, Henry wrote a novel, “Esther,” with several characters loosely based on his male friends and a Lizzie-like ingénue. The title character is somewhat older and a “second-rate amateur” painter.

One passage looms especially large in light of later events: Esther and Stephen, the man she is to marry, are unhappy, and “the worst part of their depression was that each was determined to hide it from the other. Esther could not tell him much more than he already knew, and would not throw away her charm over him by adding to his anxieties, while he knew that anything he could tell her would add to her doubts and perhaps drive her to some sudden and violent step. Luckily they were too much attached to each other to feel the full awkwardness of their attitude.”

By their own reports, the Adamses had the blues in 1883, when “Esther” was published (under a pseudonym). They had been married for 11 years. Henry’s enthusiasm for his monumental history of the United States during the presidencies of Jefferson and Madison waxed and waned, and it seemed to him that Clover cared for nothing but photography. Clover would turn 40 in September, and biographers have wondered if the milestone birthday made the childless Adamses realize that they were likely to remain so and pitched them into gloom. But there is no persuasive evidence of serious regrets, his or hers, about the absence of children.

The facts that seem most germane to Clover’s tragic end are these: the death of her beloved father, in the spring of 1885, and a family history of depression and suicide. One of her aunts had killed herself, as would Clover’s only sister, and many years later, her only brother would die soon after he either fell or jumped from a third-story window.

Ms. Dykstra chastises Henry for not giving Clover “what she needed most” while her father lay dying: “reassurance of his love and confidence that she was strong enough to bear her loss and would be all right.” It is true there are no such assurances in the surviving letters, but there is no way of knowing what passed between them in conversation before or after her father died. If we take Clover at her word, Henry was highly attentive—”more patient and loving than words can express,” she said. In the end, Henry could not save her; nor could she save herself. On Dec. 6, 1885, she ended her life by drinking a vial of potassium cyanide, one of her photographic chemicals. She was 42.

In a valiant attempt to avoid reading too much into the facts of Clover’s life, Ms. Dykstra hedges her speculation with “may haves” and “perhapses” and rhetorical questions. But the conjecture often grows so convoluted that the reader struggles to form even the most tentative conclusion. One example: After describing “Esther,” Ms. Dykstra asks: “What were [Clover's] thoughts and feelings upon reading Henry’s searing portrait of her? Was she in part flattered? . . . What about his luscious descriptions of Catherine, so recognizably Lizzie Cameron? . . . Did Clover see the failed love affair between Esther and Stephen as Henry’s comment on her and their marriage?” More questions, then: “Perhaps these passages about the experience of grief . . . somehow assured Clover that her husband understood her after all. . . . It seems certain, though, that given Clover’s fascination with photography and her pleasure in her many successes, it must have disheartened her to read that her fictional counterpart would never be more than a ‘second-rate amateur.’ Perhaps she read the novel as Henry’s caution to her that she not put too much into her photography. Whatever she felt, discouragement most likely lay behind Clover’s refusal, later that winter, to publish one of her finest photographs.”

Holy smoke.

Fortunately, Ms. Dykstra is a good guide to Clover’s photography. She presents a great deal of new information and looks at the work from several fresh perspectives. She is instructive on the similarities between the photographs and paintings that Clover undoubtedly knew. Clover’s pictures of women are analyzed in the context of her personal history, and her maternal imagery is explored as an expression of Clover’s yearning for her own mother, who died when she was 5. Most important, Ms. Dykstra is the first to give Clover’s artistry its full due. I had stared long and hard at Clover’s portrait in which her Adams in-laws, who did not like her, are seated on their porch in Quincy, looking down on the photographer. Until Ms. Dykstra pointed it out, I had not noticed that the artist had also placed their forbiddingly black front door at dead center of her photograph. I would have enjoyed a bit of reflection on Clover’s place among the photographers of her time, but to ask for more of something that one has enjoyed is my idea of a high compliment.

—Ms. O’Toole is the author of “The Five of Hearts: An Intimate Portrait of Henry Adams and His Friends.”

© 2011 Wall Street Journal (www.wsj.com)

Umm Al Quwain: As officials work to raise a sunken oil tanker off the UAE shores, a new 34-foot vessel was launched on Wednesday to help protect the marine environment from oil spills and red tide algae blooms.

Dr Rashid Ahmad Bin Fahd, Minister of Environment and Water visited Umm Al Quwain Marine Club yesterday to commission the new ministry vessel which was purchased with all of the technological bells and whistles for Dh500,000 He was joined by ministry Undersecretary Dr Mariam Sanasi.

The minister also boarded a UAE Coast Guard vessel to explore first hand the site of the sunken oil tanker White Whale which is still lying 25 metres below the surface about 35 kilometres offshore since its sinking in October.

A recent four-day exercise to raise the White Whale from the depths was abandoned due to gale force winds earlier this week. The bid to salvage the ship and the 1,000 tonnes of diesel fuel in her holds will continue when stable weather returns to the Gulf.

Article continues below

© 2011 Gulf News (www.gulfnews.com)

Story By: by Linton Weeks

The sofa can be the epicenter of our lives. It is home base, North Star, study carrel, dining booth and royal throne rolled into one.

A tale of two couches: The first, pictured recently in the New York Daily News, is where NBA supernova Jeremy Lin reportedly spent nights — perhaps battling Linsomnia — before erupting into a game-changing beast and leading the New York Knicks to a euphoric win streak.

The other is from the much-examined life of Steve Jobs. When he and his wife, Laurene, moved into a two-story, red-brick home in Palo Alto, Calif., in the early 1990s, they engaged in endless discussion about furnishings. “We spoke about furniture in theory for eight years,” Laurene tells Jobs biographer Walter Isaacson. “We spent a lot of time asking ourselves ‘What is the purpose of a sofa?’”

Very good question.

Most of us do not have a pro basketball star crashing on our couch. And we don’t take forever to scout out a sofa. But we do understand in a somewhat hazy way that during many periods of life the sofa is at the epicenter. It is home base, North Star, study carrel, dining booth and royal throne rolled into one.

What is the difference between a couch and a sofa, anyway?

“The couch is the thrash-able object at the center of a well-used living room, upon whose back toddlers straddle, whose cushions teenager become permanent fixtures, and which, at the end of the day, after the children are in bed, a couple might relax with a short glass of bourbon,” explains Benjamin Parzybok, author of the novel Couch. “A sofa, on the other hand, sits under a trimly hung painting and lives in a house in which traffic passes it by. It would be white, of course, or another color begging for stain. And most people living at the house of a sofa would be forbidden to sit upon it at one time or another.”

A sofa might have two seats; a couch might have three or more. But not always. The word sofa comes from an Arabic word for bench; the word couch is derived from an Old French word for recline. A sofa, as Parzybok points out, is more of a proper place to sit.

“A couch used to be a piece that you lie down on — like a day bed,” says Ellen Lupton, curator of contemporary design at the Smithsonian Cooper-Hewitt Museum in New York.

These days the terms couch and sofa are used pretty much interchangeably — in life and in the accompanying story.

— Linton Weeks

Couches are not always comfortable, of course. I am writing this while sitting on a sea-green sofa. We paid too much for it. It’s terribly uncomfortable, yet we can’t haul it away because it holds way too many memories.

Call it a couch or a sofa, the thing with cushions is arguably the most beloved — and most abused — piece of furniture we may ever own. And it’s a good place to sit and contemplate the question: Just what is the purpose of the Great American Sofa?

Lugging It Up The Stairs

The Great American Sofa is where: Sweet-eyed relatives sit to gaze at us — just home from the hospital — for the first time. We first nuzzle into our parents’ laps. We discover how to hold hands and how not to kiss. We learn the physics of cushions and ways to create — or eliminate — meaningful distance by shifting slightly here or there. We watch historic events on TV — and big games and dopey sitcoms. We eat overdone popcorn and underdone Pop-Tarts, and crumbs from everything snow down into the crevices. Along with pocket change and car keys and the loosely held litter of everydayness.

When we finally move out on our own — vowing to not get tied down, to roam far and wide — often the first piece of furniture we buy is a big old heavy lunking couch.

And it becomes our Sisyphean rock that we wrestle up and down the apartment-steps of our lives. Friends help us lug it in. They sleep on it during vacations and bad times and before they become NBA sensations. We sleep on it when we’re tired or troubled or just too lazy to make it to the bed.

It’s been that way for centuries.

These days, all sorts of sofas and couches are available. Furniture companies such as Bassett, The Sofa Company and Ikea offer a vast array of variations. On the Internet you can find sofas made of soda cans and couches composed of cacti and all sorts of material, including backpacks, grass, giant cables and FedEx boxes.

And, of course, there are sofas that unfurl into sofa beds. Not everyone is a fan. “The unfolding of a sofa bed is a display of pettiness, as in petit bourgeois,” wrote Henry Allen in The Washington Post some 15 years ago. “Your house is too small, your relatives are too cheap to stay in a motel, and most of all, you are irredeemably middle class — always trying to turn squalid smallness into a combination of the tasteful and the grand and achieving only the nice. Rich people have spare bedrooms and ancient button-tufted things called daybeds. Poor people can’t afford sofa beds. And so the sofa bed is the totem of the lumpen middle class.”

For many Americans, however, hopping from sofa to sofa — couch-surfing — is the only way to travel. The practice has long been a frugal, and authentic, meanderer’s mainstay. Now it’s codified as a website and a lifestyle.

Sofa, So Good

The best sofa you ever had was, um, which one? Was it light, dark, long, medium, foldout, deep-seated, leather, pleather, plaid, paisley, wine-stained, chili-stained or adorned with pet hair?

“Considering the meaning of my couch to my life — it’s my workplace, my leisure spot and, during my worst bouts of insomnia, my place of overnight rest — you’d think I would’ve spent more than 15 minutes picking it out,” says sportswriter Norman Chad whose comical Couch Slouch column appears in The Washington Post and elsewhere.

The earliest known sofa, according to a brief history on the SofaSofa website, has been traced to Egypt, circa 2000 B.C. Majestic benches were fashioned for pharaohs. “As communities moved away from a nomadic existence where they often pack up and move at short notice,” the site observes, “the sofa comes to represent a settled life of permanence, safety and comfort.”

As buildings — and building materials — grew sturdier and more permanent, chairs and sofas became fixtures, the SofaSofa history notes. European designers and fabric began creating decorative interiors. Manufacturers started stuffing seats with dried moss, horse hair, feathers and other materials to make cushions cushier.

“American sofas begin to appear early in the 18th century,” explains Oscar P. Fitzgerald, author of Three Centuries of American Furniture. “By the Victorian Period — around 1850 — they were part of seven-piece parlor sets which included also a man’s chair, a lady’s chair and four side chairs.”

In the 20th century, Fitzgerald says, “the formal parlor began to disappear and entertaining became more informal. With the Depression, it became difficult to market parlor sets so furniture began to be marketed individually.”

In the 1930s, the sectional sofa was developed by Donald Deskey and Gilbert Rohde, Fitzgerald says. In the ’60s, sofas were made from chunks of foam covered with upholstery, which allowed for endless biomorphic and geometric shapes.

Eventually, sofas became more affordable. Today they can be bought in all kinds of stores. Certain companies let you build your own, mixing and matching size, style and upholstery. However, some assembly — and deciphering of instructions — may be required.

— Linton Weeks

Chad remembers a friend helping him select his Ur couch in 2004. The couch was “shockingly red,” he says, “which she insisted was the proper choice because it would bring color to my otherwise dreary home life.” He was between marriages at the time.

“It’s not as plush as I would like — for laying down purposes,” Chad explains, “but it’s mine. I watch way too much TV from there, I usually work on my laptop from there and I drink wine from there. Without a couch, I’d probably still be stuck on one of my old beanbag chairs.”

Benjamin Parzybok, on the other hand, has a surfeit of sofas. Author of the novel Couch, the Portland resident says he is couch-sitting a whole cache of couches for other people. “At the moment there’s a perfect storm of couch storage,” he says. “There’s our main couch in the living room, a behemoth of a green thing with elephantine legs that was purchased in a secondhand shop, already well-loved and destined to continue to be well-loved for some time. One floor below are a number of other couches, belonging to brothers and neighbors whose houses are getting remodeled.”

One of his favorites is “a raggedy orange thing, falling apart just like the couch in the book, that I cannot bear to part with any more,” Parzybok says. “It’s here that the young kids do their gymnastics, experimentally vaulting across them or launching themselves at each other in fits of glee.”

Couches are portals to our past, talismans of times — light and lonely — gone by. But what will sofas mean to us tomorrow? As we rely less on hardware and more on cloudware, will we even have sofas in the future?

Oh yes, says Oscar P. Fitzgerald, author of Three Centuries of American Furniture. We will be able to create our own sofas — the way we are designing our own T-shirts and credit cards. “The true wave of the future may be in stereolithography,” Fitzgerald says, referring to a three-dimensional computer-modeling technique.

If you have enough money, say $50,000, Fitzgerald says, a company such as Materialise in Leuven, Belgium, may eventually be able take your model — crafted on a computer — and swiftly fashion a full-size prototype.

Hmm. 50 grand. No sweat. You probably have that much in change buried somewhere under the cushions.

Com um anel de noivado de diamante na mão, Warren Buffett se ajoelhou e pediu Alexa Tavasci em casamento.

“Por favor aceite. Por favor me aceite”, implorou o bilionário de 81 anos em meio a uma saraivada de cliques de câmeras fotográficas, num restaurante de sua cidade, Omaha, no Estado de Nebraska, na região central dos EUA.

Stephanie Sinclair for The Wall Street Journal

Alexa Tavasci sendo pedida em casamento por Buffett.

Tavasci, de 21 anos e estudante do terceiro ano da Universidade do Norte do Arizona, aceitou o pedido de mentirinha, que foi ideia dela. Aí ela devolveu o anel de diamante a uma amiga que estava por perto.

“Tudo que ouvi ao meu redor foram risadas”, lembra Tavasci, estudante de contabilidade que leu a biografia de Buffett em preparação à visita.

Quando se trata de investir, o diretor-presidente da Berskshire Hathaway Inc. é um homem sério. Mas coloque Buffett diante de uma câmera com um geração futura de líderes empresariais e o Oráculo de Omaha — como ele é conhecido por seus conselhos de investimento — vira um cara bem engraçado.

Stephanie Sinclair for The Wall Street Journal

Buffett faz pose com Stephanie Vogel, da Universidade Gonzaga. O investidor recebe estudantes selecionados que passam um dia ouvindo seus conselhos – e encerram o programa com uma foto séria e outra engraçada.

Buffett convida várias vezes por ano estudantes de administração dos Estados Unidos inteiros para um dia de visita à sede da sua holding em Omaha. Ele passa duas horas respondendo às perguntas deles e depois os leva para visitar empresas locais controladas pela Berskshire, como a nova loja de móveis gigantesca da Nebraska Furniture Mart e a cadeia de joalheiras Borsheims.

Buffett também leva os estudantes para almoçar suas comidas favoritas, como frango à parmigiana. Alguns estudantes mais sortudos conseguem até passear com ele em seu Cadillac.

Stephanie Sinclair for The Wall Street Journal

Antonio Espinoza, da Universidade de Notre Dame, em pose com Warren Buffett.

Buffett dá lições de vida durante o dia, dizendo aos estudantes para escolher a pessoa certa para casar e se cercarem de pessoas melhores do que elas.

Sobre os princípios que o tornaram o investidor mais famoso do mundo, ele recomenda aos estudantes que “fujam do dinheiro emprestado e fujam das emoções das multidões”.

O ritual sempre termina com uma sessão de fotos. Cada estudante pode tirar duas fotos com Buffett. A primeira é séria e a segunda é numa pose divertida escolhida pelo convidado.

Stephanie Sinclair for The Wall Street Journal

Warren Buffett imita o grito de “Esqueceram de Mim”, por sugestão de sua visitante Patricia Pan, da faculdade de administração Kellogg.

Buffett diz que fica feliz de fazer tudo isso. “Essas pessoas vieram de longe, faço tudo que eles querem, mas meu limite é se pedirem que eu peça um homem em casamento”, diz ele.

As sessões de fotos de Buffett começaram por volta de 2005, quando Verna Grayce Chao e seus colegas da Universidade de Chicago posaram com Buffett ao lado do carro dele antes de irem almoçar.

Ele puxou a carteira e fingiu que a estava entregando ao grupo.

“Foi totalmente espontâneo”, diz Chao, agora com 35 anos e diretora de marketing da divisão de saúde e ciências da saúde da Dell Inc. Ela guarda a foto num álbum em casa.

Stephanie Sinclair/VII for The Wall Street Journal

Alex Williams escolheu ser estrangulado por Buffett em sua foto engraçada com o Oráculo de Omaha.

Se tivesse outra oportunidade de foto com Buffett, Chao poderia escolher o tradicional instantâneo com orelhas de coelho. “Seria o melhor cartão de Natal de todos os tempos”, diz ela.

Tavasci, a estudante do Arizona que Buffett “pediu” em casamento, diz que sua foto gerou muitas risadas com a família e os amigos, e acrescentou que “tudo mundo quer saber se eu disse sim”. Uma cópia da foto foi colada no mural da loja onde ela trabalha.

Buffett não se importa, mesmo com as fotos geralmente indo parar no Facebook e no Twitter minutos depois de tiradas.

“A ideia é fazer isso de modo divertido e informativo”, diz ele. “Se posso agradar me fazendo de idiota no Facebook, tudo bem”.

© 2011 Wall Street Journal (www.wsj.com)

By ARAB NEWS

Published: Feb 20, 2012 03:50
Updated: Feb 20, 2012 03:50

JEDDAH: King Abdullah Charitable Housing Foundation has constructed 6,000 housing units in Jazan to accommodate displaced people, Ahmed Al-Arjani, secretary-general of the organization, announced Sunday.

He said the houses would be allotted to deserving people on March 14.

The massive project, located in five places, was carried out at a total cost of SR6 billion. Hasma is the largest among the five with 2,249 houses, 11 mosques, two health centers and 15 schools, followed by Rawan with 1,063 houses, six mosques, four schools and a health center, the official said.

In Kharish there are 1,246 houses, six mosques, six schools and a health center while in Ramada there are 995 houses, five mosques, six schools and a health center. The Suha project comprises 447 houses, 3 mosques, four schools and a health center.

The houses covering 500 to 1,000 sq. meters are designed to meet the requirements of displaced families. The project is provided with necessary infrastructure facilities. About 100 women were employed to make furniture for the houses. The foundation intends to build 10,000 housing units for Jazan’s displaced individuals and families as a result of the violence involving Yemeni intruders in November 2009. Custodian of the Two Holy Mosques King Abdullah ordered the project when he visited Jazan to inspect the armed forces stationed along the Kingdom’s southern border with Yemen.

Brig. Hamoud Al-Hassani, the director of Civil Defense in Jazan, said more than 5,000 families had been evacuated from the border with Yemen in the midst of fighting between the intruders and Saudi Armed forces.

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© 2011 Arab News (www.arabnews.com)

© 2011 STATS LLC STATS, Inc


NEW YORK |
Fri Feb 17, 2012 12:53pm EST

NEW YORK (Reuters Health) – Diet soda may benefit the waistline, but a new study suggests that people who drink it every day have a heightened risk of heart attack and stroke.

The study, which followed almost 2,600 older adults for a decade, found that those who drank diet soda every day were 44 percent more likely than non-drinkers to suffer a heart attack or stroke.

The findings, reported in the Journal of General Internal Medicine, don’t prove that the sugar-free drinks are actually to blame.

There may be other things about diet-soda lovers that explain the connection, researchers say.

“What we saw was an association,” said lead researcher Hannah Gardener, of the University of Miami Miller School of Medicine. “These people may tend to have more unhealthy habits.”

She and her colleagues tried to account for that, Gardener told Reuters Health.

Daily diet-soda drinkers did tend to be heavier and more often have heart risk factors like high blood pressure, diabetes and unhealthy cholesterol levels.

That all suggests that people who were trying to shed pounds or manage existing health problems often opted for a diet soda over the sugar-laden variety.

But even after the researchers factored in those differences — along with people’s reported diet and exercise habits — they found that daily diet soda was linked to a 44-percent higher chance of heart attack or stroke.

Nevertheless, Gardener said, it’s impossible for a study to capture all the variables that could be at work.

The findings do build on a few recent studies that also found diet-soda drinkers are more likely to have certain cardiovascular risk factors, like high blood pressure or high blood sugar.

This is the first study, Gardener said, to look at actual “vascular events” — that is, heart attacks, strokes and deaths from cardiovascular causes.

The findings are based on 2,564 New York City adults who were 69 years old, on average, at the outset. Over the next decade, 591 men and women had a heart attack, stroke or died of cardiovascular causes.

That included 31 percent of the 163 people who were daily diet-soda drinkers at the study’s start. In contrast, 22 percent of people who rarely or never drank diet soda went on to have a heart attack or stroke.

There was no increased risk linked to less-than-daily consumption. Nor was regular soda tied to heart attacks and strokes.

If diet soda, itself, somehow contributes to health risks, it’s not clear how, Gardener said.

There’s research in rats suggesting that artificial sweeteners can end up boosting food intake and weight. But whether results in rodents translate to humans is unknown.

“I don’t think people should change their behavior based on this study,” Gardener said. “And I wouldn’t advocate drinking regular soda instead.”

Regular soda is high in calories, and for people who need to shed pounds, experts often suggest swapping regular soda for the diet version.

A study out this month found that the advice may be sound. Obese people who were randomly assigned to drink water or diet drinks in place of sugary ones lost about five pounds over six months.

Gardener said that further studies such as hers are still needed to confirm a connection between diet soda and cardiovascular trouble.

Ultimately, she noted, clinical trials are considered the “gold standard” for proving cause-and-effect. That would mean randomly assigning people to drink diet soda or not, and then following them over time to see if there were differences in their rates of heart problems or stroke.

A study like that, Gardener said, would be “difficult and costly” — since it would have to follow large groups of people over many years, and rely on people to stick with their assigned beverages.

SOURCE: bit.ly/widyUV Journal of General Internal Medicine, online January 27, 2012.

© 2011 REUTERS (www.reuters.com)